Robert Saxton

'The Nightingale Broadcasts'

Beatrice Harrison, who lived in a remote house in woodland

south of Oxted, Surrey, was a distinguished cellist.

She was thirty-one when she tried to persuade Lord Reith to sanction

the BBCís recording, to be broadcast live, of a tryst

 

she was planning in her garden, with nightingales

in a copse, accompanied by herself on the cello

playing Elgar, whose favourite soloist she was ñ if it happened,

this would be the first ever live outdoor radio

 

broadcast. In May 1923, on a bench in a sea of bluebells,

sheíd been playing ëChant Hindouí by Rimsky-Korsakov

when a nightingale had swollen into song ëin thirds,

and always in tuneí with her, from deep in a nearby grove.

 

It was the following spring, while making her broadcasting debut

as soloist in Elgarís concerto with Elgar

conducting, that sheíd first hit upon the idea of nightingales singing

for the nation. Lord Reith supposed theyíd be real prima

 

donnas ñ costly and unpredictable ñ and was also chary

of packaging nature, of making birdsong ësecond-handí.

But Miss Harrison pleaded the case of the poor ñ all those

Without motorcars, in cities and the north of England.

 

A rehearsal went well. The broadcast, planned for 19th May,

would interrupt the Savoy Orpheansí Saturday night dance

music programme just as the Oxted nightingales started

their evening crescendo. What a performance! ñ

 

the summerhouse filled with amplifiers, engineers swarming

in the undergrowth. Miss Harrison played in a ditch ñ

Elgar, Dvorak, ëDanny Boyí. Silence. Then, fifteen minutes before

the station went off the air, a nightingale cadenza, which

 

gargled and trilled from the oak leaves, flowered through

a million radios and crystal sets, some of them outdoors,

themselves setting off nightingales, or building in the night air

a city of song in alien habitats ñ cornfields, moors,

 

mountains, housing. For twelve years the BBC broadcast

Miss Harringtonís nightingale concerts (one of them, set up near

a pond, featuring a chorus of frogs). After she moved house,

the birds were recorded solo, not every year

 

but certainly in 1942, when engineers captured a nightingale

outsung but not silenced by a fleet of Lancasters

droning overhead, the first of the ëthousand bomberí raids,

targeting Cologne, archived though never broadcast.

 

The RAF had discovered that two out of three bombs dropped

in night raids on Germany had missed their aim

by more than five miles. Area bombing would be much more accurate.

In the event, both sides turned out to have the same

 

problem: the average number of days at work lost

through bombing was only five. Although often

workersí homes were destroyed, morale stayed high: men and women

still worked, for their country and their distant children.

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